- £22.50 +BF
Touché Amoré + Deafheaven
14+ (under 16s with an adult)
Los Angeles, California's Touché Amoré blend jangly post-hardcore with emotionally raw screamo to create a unique sound that turns the influence of bands like Jawbox and Converge into something strangely coherent. The band's third album, 2013's Is Survived By, reached the top half of the Billboard 200.
Formed in 2007 by singer Jeremy Bolm, guitarists Clayton Stevens and Nick Steinhardt, bassist Tyler Kirby, and drummer Elliot Babin, Touché Amoré made their debut in 2009 with To the Beat of a Dead Horse. The album eventually came to the attention of Jacob Bannon's label Deathwish, Inc., which released the follow-up, 2011's Parting the Sea Between Brightness and Me, as well as their third album, 2013's Is Survived By. The latter peaked at number 85 on the U.S. albums chart as well as landing in the Top 30 of the alternative, rock, and hard rock charts. It also topped the vinyl albums chart.
After finishing up a tour in support of Is Survived By, the band decamped to L.A.'s Seagrass Studio with producer Brad Wood (Sunny Day Real Estate, Smashing Pumpkins) to begin work on their fourth LP. The resulting Stage Four was released in 2016 via Epitaph. It fared slightly better on the rock side charts, reaching number 168 on the Billboard 200. In November 2018, Epitaph issued 10 Years/1000 Shows: Live at the Regent Theater. Recorded that February at Touché Amoré's 1,000th show, it made appearances on the vinyl and independent album charts. ~ Gregory Heaney & Marcy Donelson, Rovi
Originally formed as a duo in 2010, Deafheaven, now a quintet, are a restless and experimental metal band from San Francisco, California. Often referred to as black metal, the band finds the term limiting, and sees the metal subgenre as a prime inspiration. Their ever-evolving sound includes elements of black metal, shoegaze, post-rock, and even accessible -- but musically challenging -- arena rock as evidenced by albums such as 2013's Sunbather and the punchier, more dynamic New Bermuda two years later.
Initially made up of George Clarke (vocals) and Kerry McCoy (guitars), the band has a sound that blends black metal with elements of shoegaze, adding a layer of warmth to the genre's typically icy sound while expanding the emotional range outside of the typical themes of death, despair, and hopelessness. As a duo, Clarke and McCoy wrote and recorded a demo on their own that would get the attention of Converge frontman Jacob Bannon's label, Deathwish Inc., which released the untitled EP in 2010. The pair expanded the lineup to include guitarist Nick Bassett, bassist Derek Prine, and drummer Trevor Deschryver, who appeared on Deafheaven's 2011 full-length debut, Roads to Judah, before parting ways with the band the following year. Looking to get back to their roots a bit, McCoy and Clarke worked on the writing for their follow-up album as a duo again, though they would recruit drummer Daniel Tracy to join them in the studio for the recording process. The result was their sophomore effort, Sunbather, which was released to critical acclaim in the summer of 2013. Recruiting new bassist Stephen Clark and guitarist Shiv Mehra, Deafheaven toured across the globe extensively as a quintet, including gigs with Between the Buried and Me, Pallbearer, No Joy, and many others. In 2015, Deafheaven signed to Anti- for the release of their highly anticipated third album, New Bermuda. Produced by frequent collaborator Jack Shirley, the album arrived in early October. The set reached number 16 on the Top Rock Albums charts, and was supported by lengthy international tours. Its critical and commercial success brought it to the ears of listeners not normally enamored of heavy metal.
In late 2017, Deafheaven de-camped to 25th St. Recording in Oakland with Shirley again listed as producer. By their own admission, they expanded their heavy, kinetic sound by adding psychedelia-inspired vocals, jazzy percussion, and intricate organic piano melodies to juxtapose against their trademark black metal-inspired and post-hardcore trademark sonics. Entitled Ordinary Corrupt Human Love -- the album took its title from Graham Greene's novel The End of the Affair, reflecting a theme of yearning romanticism. The set's first single and video, "Honeycomb" was issued in April of 2018, and clocked in at nearly 12 minutes. While the video images showed glimpses of Deafheaven in the studio and wandering around San Francisco, the song's lyrics actually referenced the work of Argentine novelist Julio Cortázar. The full-length was released in May. Titled Ordinary Corrupt Human Love, where they doubled down on their ability stitch together elements from different schools of rock. The Jack Shirley-produced set peeled away both the shoegaze tropes of Sunbather and the dark, emotionally suffocating atmospherics of New Bermuda to emerge with a sunnier, but no less aggressive sound that was no less challenging that its predecessors -- thanks in large part to Clarke's trademark screaming. The singer/songwriter Chelsea Wolfe guested on the track "Near." ~ Gregory Heaney